Onome Olotu

Onome OlotuOnome OlotuOnome Olotu

Onome Olotu

Onome OlotuOnome OlotuOnome Olotu
  • Home
  • Portfolio
  • Exhibitions & Residencies
    • First SOLO show 2025
    • Arts Council of Princeton
    • POSTCARD WORKSHOPS
    • TRANSVERSING NOSTALGIA
    • MUSEUMVERSE 2024
    • HISTORY REIMAGINED
    • Group show 2025
  • Bio
  • Statement
  • Contact
  • More
    • Home
    • Portfolio
    • Exhibitions & Residencies
      • First SOLO show 2025
      • Arts Council of Princeton
      • POSTCARD WORKSHOPS
      • TRANSVERSING NOSTALGIA
      • MUSEUMVERSE 2024
      • HISTORY REIMAGINED
      • Group show 2025
    • Bio
    • Statement
    • Contact
  • Home
  • Portfolio
  • Exhibitions & Residencies
    • First SOLO show 2025
    • Arts Council of Princeton
    • POSTCARD WORKSHOPS
    • TRANSVERSING NOSTALGIA
    • MUSEUMVERSE 2024
    • HISTORY REIMAGINED
    • Group show 2025
  • Bio
  • Statement
  • Contact

works

"NOW WE MASK"

"Postcards from Princeton"

POSTCARDS FROM DAD

An exploration of the paradox of transformation in African masking practices, where masks are used as a metaphor for my own experiences.

Click to see the series

POSTCARDS FROM DAD

"Postcards from Princeton"

POSTCARDS FROM DAD

A recomposition of images and texts from my family archive to create postcards that explore ideas of time and memory.

Click to see the series

"Postcards from Princeton"

"Postcards from Princeton"

"Postcards from Princeton"

A recomposition of images and texts from my archive and sourced archives from black families in Princeton and The Historical Society of Princeton to create postcards that tell stories and explore ideas of time and memory.

Click to see the series

"identidades suprimidas"

"Postcards from Princeton"

( Now We Mask 2.0)

A series that speaks to the complexities of Suppressed Identities, Body-Perception and Body Dysmorphia .

Click to see the series

"POSTCARDS FROM ITHACA"

"POSTCARDS FROM ITHACA"

A series that reflects my experiences as an international student from Nigeria, at Cornell and in Ithaca amid shifting U.S. politics. Using archival materials from the History Center in Ithaca and Cornell’s Rare Manuscript Collections, I create paintings layered with plaster, paste, and pigment.

Click to see the series

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